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News: March 2004

Is Mel Gibson's "The Passion" anti-Semitic?

By Joe Berkofsky (JTA)

Jesus will appear on the Christian holy day of Ash Wednesday — thanks to Mel Gibson.

The Hollywood star directed and financed the $25 million epic “The Passion of the Christ,” which is emerging from a nearly year-long media storm and is due to hit 2,000 screens nationwide Feb. 25.

That Gibson’s “The Passion” will premier is certain. The big question is how a reportedly gory film about the last 12 hours in Jesus’s life, in Aramaic and Latin with subtitles, will play at the local multiplex.

Many Jewish organizational leaders also are waiting to see if a movie they say scapegoats the Jews for the crucifixion will produce legions of Jew-hating moviegoers and poison Christian-Jewish relations for years to come.

“It makes the Romans look like lambs who are being forced” to punish Jesus, “and it shows the Jews as bloodthirsty and vengeful and unending in their desire to see him crucified,” Abraham Foxman, national director of the Anti-Defamation League, said after emerging from a preview.

The movie debuts at a sensitive period in Catholic-Jewish relations. It also reflects a larger struggle within the Catholic Church over whether to continue promoting 40-year-old reforms that include renouncing the notion of collective Jewish guilt for Jesus’ crucifixion, an issue Gibson apparently brings to the silver screen.

David Elcott, director of interreligious affairs for the American Jewish Committee, saw the Jesus movie last week at one of the nation’s largest evangelical churches, in a Chicago suburb.

The movie shows the Jews as a “mob spitting, scratching, yelling, pummeling” at Jesus, “their faces contorted,” Elcott said. “This movie is an assault on our commitment to interreligious dialogue and respect.”
After Foxman called the movie “painful,” he received a letter from Gibson urging a detente, though Foxman said Gibson never addressed his complaints or his request to add a postscript telling audiences not to interpret the movie as an indictment of the Jews.

This week, a Gibson aide said the actor-director decided, based on focus-group reactions, to cut a potentially incendiary line from the film in which the Jewish high priest Caiaphas says of Jesus’ death, “His blood be on us and on our children.” That line from the New Testament was used in passion plays throughout the centuries, and often triggered anti-Jewish violence.

“I do not take your concerns lightly,” Gibson wrote to Foxman, insisting that his purpose is to love and respect others “despite our differences.”
Foxman called the letter “kind,” but said it didn’t address the serious issues the ADL had raised about the film.

Such bitter reviews echoed earlier warnings by a few rabbis who had seen earlier film drafts. They saw them at previews Gibson’s associates staged, which largely preached to the converted — that is, evangelicals and political conservatives.

Running the carefully orchestrated public-relations campaign surrounding the film is a Christian group called Outreach, which runs a website promoting the movie and points to rave reviews from Christian clerics and Michael Medved, who is identified as a “Jewish film critic.”
Meanwhile, even as the bishops met with rabbis in New York, and the pope met with two top Israeli rabbis last week, another dispute erupted over whether the pope himself endorsed the movie.

A Wall Street Journal columnist was the first to report that an Icon producer succeeded in getting a copy of the movie to the pontiff, who viewed it and, according to an unnamed Vatican source, said, “It is as it was.”

Other reports echoed that account, but a senior Vatican aide to the pontiff later dismissed the report, saying the pope “does not give judgments on art.”

Ironically, Gibson is a member of a Catholic fundamentalist sect that rejects Vatican authority and opposes its reforms, though Gibson has insisted he is not anti-Semitic.

Gibson “is as mensch as they get,” said Icon spokesman Alan Nierob. “He’s a wonderful person who’s just trying to make a good film.”
Nierob also dismissed any apparent contradiction between Gibson’s opposition to the Vatican and Icon’s apparent quest for the church’s imprimatur.

“It’s just a matter of building support,” he said.

In fact, the past year’s worth of media scrutiny has only helped “in terms of interest awareness” for the movie, Nierob said, and the Outreach website is even taking advance ticket orders.
Some think the Jewish attention to the film has only aggravated the situation.

Some Jewish groups “blundered” by helping generate such buzz for a movie that would likely have found few fans, said Elan Steinberg, executive vice president of the WJC.

“I don’t remember the last blockbuster in Aramaic,” Steinberg said.
While the furor over the movie is likely to continue, interfaith activists remain confident that it won’t adversely affect progress in Catholic-Jewish relations.

Catholic-Jewish ties “will continue,” Korn said. “There are partners on both sides who want it to.”

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